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Par 38 Black Aluminum With Lamp Par 56 Black Aluminum Par Can Par 56 Polished Aluminum Par Can
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Par 38 Black Aluminum With Lamp Par 56 Black Aluminum Par Can Par 56 Aluminum Par Can
Par 38 Black Aluminum Par Can With Lamp Par 56 Black Aluminum Par Can With 300 watt Lamp Par 56 Polished Aluminum Par Can With 300 watt Lamp
Par 64 Black Aluminum Par Can Par 64 Polished Aluminum Par Can Chauvet LEDrain 36 DMX Pinspot
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Par 64 Black Aluminum Par Can With Lamp Par 64 Polished Aluminum With Lamp Chauvet LEDrain 36 DMX Pinspot
Par 64 Black Aluminum Par Can With 500 watt Lamp Par 64 Polished Aluminum Par Can With 500 watt Lamp DMX-512 controllable pinspot made up of highly efficient and super-bright white LEDs.
Chauvet LEDrain 38 DMX Wash Light American DJ - 75 LED RGB DMX Par 38 - Polished Electro 196 LED DMX Wash Par Can
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Chauvet LEDrain 38 DMX Wash Light American DJ - 75 LED RGB DMX Par 38 - Polished Electro 196 - LED light
A light fixture that's not a drain on your wallet. 75 ultra bright, 10mm RGB LEDs. Eye popping color  - awesome for illuminating walls, bars, DJ's, or bands.
Irradiant Par 64 Short DMX Led Can Elation T20F Chase with Foot Controller American DJ DP-415 4-Channel DMX Dimmer/Switch Pack
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Irradiant Par 64 Short DMX Led Can Elation T20F Chase Control American DJ DP-415 4-Channel DMX Dimmer/Switch Pack
Super Bright, Light Weight, Color-Changing, Strobing, DMX Par Can. A chase controller with 7 preset scenes and 20 chases, a footswitch controller, and a DMX cable. Versatile 4-channel dimmer pack doubles as a switch pack.
Elation 1W Cool White LED Par Can Elation 1W Warm White LED Par Can Electro Scan
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Elation 1W Cool White LED Par Can Elation 1W Warm White LED Par Can Electro Scan - 65 LED Scanning DMX Moonflower
Compact, High output LED Par Can with Four, 1-Watt White LED’s Compact, High output LED Par Can with Four, 1-Watt White LED’s Electro Scan - 65 LED Scanning DMX Moonflower - Disco Lighting
Chauvet LEDrain 56 DMX Wash Light Chauvet Hurricane 1300 American DJ Fog Storm 1200W Fog Machine
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Chauvet LEDrain 56 DMX Wash Light Chauvet Hurricane 1300 American DJ Fog Storm 1200W Fog Machine
85 ultrabright, large LEDs offer long life and low power consumption. Quick heat up of water-based fog to fill a venue within minutes. You'll need your fog lamps with this baby.
Irradiant Par 64 Long DMX Led Can Electro56 LED DMX Washlight 400w Super High Output Black Light
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Irradiant Par 64 Long DMX Led Can Electro 56 - LED light 400w Super High Output Black Light
Super Bright, Light Weight, Color-Changing, Strobing, DMX Par Can. Very smooth projection on walls with rich palates of color created by mixing the Red, Green and Blue LEDs. EBK-400 - 400w Super High Output Black Light
American DJ Megaflash DMX 800W Strobe Macho Strobe - 750 watts 1-20 flashes per second Universal 4 Channel DMX Dimmer Pack
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American DJ Megaflash DMX 800W Strobe Macho Strobe - 750 watts 1-20 flashes per second 4 Channel DMX Dimmer Pack
DMX controlled or Stand alone operation with speed and dimmer control on back of unit. 750W Strobe light Universal 4 Channel DMX Dimmer Pack
Electra 86 LED DMX Wash Par Can American DJ LED Operator Lighting Controller Elation 96 Channel DMX Recorder/Controller
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86 LED DMX Wash Par Can American DJ LED Operator Lighting Controller Elation 96 Channel DMX Recorder/Controller
The perfect light to illuminate entertainment halls, clubs and stages. Easy-to-use lighting controller works with any generic RGB LED fixture. Record your DMX info to 96 DMX channels with this rackmount controller by American DJ.
Chauvet LEDrain 64 DMX Wash Light American DJ P64 LED - DMX RGB Color Mixing LED PAR Can Elation Compact DMX/Analog Touch Sensitive Controller
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Chauvet LEDrain 64 DMX Wash Light American DJ P64 LED Elation Compact DMX/Analog Touch Sensitive Controller
This 7-channel, DMX-512-controlled fixture with 292 LEDs and numerous display options will give the crowd a LED shower of power. Winner of the 2005 DJZone.com Crystal Disc Award for Superior Technical Innovation in DJ Lighting Products. Control your lights from the palm of your hand.
Elation DMX Operator 192 Channel Controller Elation DP-DMX-20L DMX Dimmer Pack Behringer EUROLIGHT LC2412 24-Channel DMX Lighting Console
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Elation DMX Operator 192 Channel Controller Elation DP-DMX-20L DMX Dimmer Pack EUROLIGHT LC2412
An affordable solution for controlling DMX products. Ultimate flexibility and American DJ reliability. Bring a new level of professionalism to your show.
American DJ Revo Scan LED Moonflower Lighting Effect American DJ - High Powered Blacklight UV Panel Chauvet Obey 70 DMX Lighting Controller
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Revo Scan LED Moonflower - LED Disco Lights American DJ - High Powered UV Panel Chauvet Obey 70 DMX Lighting Controller
This is truly a state of the art light! LED Disco Lights Throws large amounts of fluorescent UV over a wide area. The big daddy of the Obey series of controllers.
FlexFlow 1500 Watt fogger Chauvet Stage Designer 50 DMX Lighting Controller Chauvet LED PAR38 System
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FlexFlow 1500 Watt fogger Chauvet Stage Designer 50 DMX Lighting Controller Chauvet LED PAR38 System
1500 Watt Variable Angle Fogger, Shoots Fog Straight Up! One DMX lighting control to rule them all. 4 LED PAR can LED lamps, a stand to hold them, and 2 controllers.
Antari Z-800II 800W Portable Fog Machine Chauvet COLORstrip DMX LED Linear Wash Light Light Copilot III - Automatic Lighting Control System
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Antari Z-800II 800W Portable Fog Machine Chauvet COLORstrip DMX LED Linear Wash Light Light Copilot 3 Automatic Lighting Control System
800 watt fog machine that produces 3,000 cu. ft. per min. of fog. Daisy-chain up to 31 units for a killer runway effect. System includes: • 1x Light Copilot II controller • 2x LC-4SP, 4-Ch. Power Packs (15A per pack) • 2x LC-EX25, 25 ft. connector cables

American DJ FS-1000 575W Followspot Behringer EUROLIGHT LD6230 6-Channel DMX/Analog Dimmer Pack American DJ - 18 1W RGB LED DMX Par 46 - Black
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American DJ FS-1000 575W Followspot EUROLIGHT LD6230 American DJ - 18 1W RGB LED DMX Par 46 - Black
High-powered, affordable followspot with a bright 575W halogen lamp Highly flexible with digital and analog control modes. Ultra bright Par Can with 18, 1W LEDs RGB .
American DJ - 18 1W RGB LED DMX Par 46 - Grey American DJ - 181 Color LED DMX Par 64 - Black American DJ - 181 Color LED DMX Par 64 - Polished
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American DJ - 18 1W RGB LED DMX Par 46 - Grey American DJ - 181 Color LED DMX Par Can American DJ - 181 Color LED DMX Par Can
Ultra bright Par Can with 18, 1W LEDs RGB . Black ultra bright Par 64 with 181, 10mm LEDs. Polished silver ultra bright Par 64 with 181, 10mm LEDs.
Elation Opti 30 RGB Color Mixing Par Can Irradiant 24-Channel Programmable DMX Controller Chauvet Scorpion Storm RGX Green & Red Laser
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Elation Opti 30 RGB Color Mixing Par Can Irradiant 24-Channel Programmable DMX Controller Chauvet Scorpion Storm RGX Green & Red Laser
Powerful next-generation LED PAR can with twelve 1W LEDs Irradiant 24-Channel Programmable DMX Controller Dual laser power for more of a light shower.
Elation Proton Star 1500W Output American DJ Emerald Scan II DMX Green Laser Scanner American DJ - 181 Color LED DMX Par 64 - White
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Elation Proton Star 1500W Output Emerald Scan II Laser American DJ - 181 Color LED DMX Par Can
Creates a blinder effect with its High Intesity Super fast flashes American DJ has made it easier than ever to take the popular Emerald Scan on the road with the compact Emerald Scan II. White ultra bright Par 64 with 181, 10mm LEDs.
American DJ Fog Storm 1700W Fog Machine Chauvet Hurricane 1800 Flex Chauvet LEDsplash 2 LED DMX Color Wash
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American DJ Fog Storm 1700W Fog Machine Chauvet Hurricane 1800 flex Chauvet LEDsplash 2 LED DMX Color Wash
A behemoth fogger for demanding gigs! DMX control with adjustable 180-degrees angles 6-channel, DMX-512 fixture with 24 LEDs.
Elation Stage Pak 1 - Dimmer System Chauvet MiN Wash LED Moving Head Fixture Elation Bright Output Color LED Par Can
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Elation Stage Pak 1 - Dimmer System Chauvet MiN Wash LED Moving Head Fixture Elation Bright Output Color LED Par Can
An easy to use 16 channel DMX Controller & 2 Dimmer Packs The MiNWash LED is a 5- or 13-channel DMX moving yoke color wash fixture that will add vibrant color to any venue. 24 bright 1-Watt LEDs produces a high impact
Elation TriColor LED High Power Par Can Elation 136 Channel Hybrid DMX Controller Elation Cyber Pak Dimmer/Switch/Chase Pack
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Elation TriColor LED High Power Par Can Elation 136 Channel Hybrid DMX Controller Elation Cyber Pak Dimmer/Switch/Chase Pack
7 Tri RGB LEDs running at 3W power each. 2-in-1 DMX and dimmer controller. Three packs in one compact unit.
American DJ X-Scan LED PLUS DMX Scanner Fog Pro 1500W DMX Fog Machine w/Remote Elation RGB High-Output LED Color Changer
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Sale Price: $399.99
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American DJ X-Scan LED PLUS DMX Scanner - LED DJ Effect Lights Fog Pro 1500W DMX Fog Machine w/Remote Elation RGB High-Output LED Color Changer
Brilliance, variety and excitement without the heat. - LED DJ Effect Lights 1500 watt fog machine that produces 20,000 cu. ft. per min. of fog. Lightweight and powerful DMX intelligent LED wash.
American DJ LED Par 38 System Chauvet 4BAR LED System Antari Z-1500 MKII 1500 Watt DMX Fogger
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American DJ LED Par 38 System Chauvet 4BAR LED System Antari Z-1500 MKII 1500 Watt fogger
4 polished par cans, chase controller, stand. This 7-channel, DMX-512-controlled fixture with 292 LEDs and numerous display options will give the crowd a LED shower of power. 1500 Watt fogger with remote
LED Spotlight 32-Color Lighting System Elation Proton Color 1500W Output LED Par Pack - Par 56 RGB DMX
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TraveLED Par 96 32-Color Projection Lighting System - Stage Lighting Elation Proton Color 1500W Output LED Par Pack - Par 56 RGB DMX
Includes four Par 96 LED Lights, light controller and a tripod stand. Stage Lighting Creates a blinder effect with its High Intesity Super fast flashes Included are 4 par 56 LED cans, 1 controller, and 1 stand
American DJ Galaxian Move Laser DMX Moving Head LED Par 64 Can Package Antari Z-1500II 1500W DMX Pro Fog Machine
Our Price: $1,099.98
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American DJ Galaxian Move Laser DMX Moving Head Irradiant Par 64 Short DMX Led Can Package Antari Z-1500II 1500W Pro Fog Machine
Galaxian Move - Perfect for small clubs or the entertainer on the go! Four Par LED Lighting Package - 4 Par Cans and 1 stand 1500 watt fog machine that produces 20,000 cu. ft. per min. of fog.
LED Par 64 Can Package Elation Magic 260 - 260-Channel DMX Controller Elation Design LED 36 - High Output LED Color Changer
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Irradiant Par 64 Long DMX Led Can Package Elation Magic 260 - 260-Channel DMX Controller Design LED 36 - High Output LED Color Changer
Four Par LED Lighting Package - 4 Par Cans and 1 stand PAN/TILT Joystick & 4 data wheels for moving light control and data entry High output LED color changer equipped with 36 1W Luxeon LEDs.
Elation 30W RGB LED Strip w/Pixel Control Elation PRO FS 1000 Followspot LED Par 64 Can Package
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Elation 30W RGB LED Strip w/Pixel Control Elation PRO FS 1000 Followspot Irradiant Par 64 Short DMX Led Can Package
DMX intelligent, high powered LED color bar The perfect choice for stage or club Four Par LED Lighting Package - 4 Par Cans and 1 stand
Elation 18 x 3W LED High Power Par Can American DJ Theatrix Pro 48 LED Color Wash American DJ Accu Fog 1000 DMX Fog Machine
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Elation 18 x 3W LED High Power Par Can American DJ Theatrix Pro 48 LED Wash Light American DJ Accu Fog 1000 DMX Fog Machine
Amazing High Powered LED Par Can with 18 3W LEDS. High output LED color wash bar with 48x 1Watt LEDs. More mist than you'll find on a foggy evening at Trafalgar Square.
Antari M5 1500W Stage Fogger Chauvet Q-Wash LED DMX Moving Yoke Lighting Fixture Elation Design LED 36 Tri Brick
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Antari M5 1500W Stage Fogger Chauvet Q-Wash LED DMX Moving Yoke Lighting Fixture Elation Design LED 36 Tri Brick
Meets the rigorous demands of stage and tour use. Stunning 1W LED illumination. Infinite RGB color possibilities - 12 x "Tri-Color" 3W LEDs
Elation High Power LED White Light Fresnel Antari X-310II 1000W Fazer Antari X-515II 1500W Pro Fog Machine
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Elation High Power LED White Light Fresnel Antari X-310II 1000W Fazer Antari X-515II 1500W Pro Fog Machine
LED white light fresnel featuring 1 x 50W LED lamp, 500W halogen equivalent. 1000 watt faze machine that produces 3,500cu. ft. per min. of faze. 1500 watt fog machine that produces 20,000cu. ft. per min. of fog.
Antari Z-3000II 3000W DMX Pro Fog Generator American DJ Megaflash Pak - 4 strobes & controller Elation ELED Tri 64B - 54W Tri Color RGB - Black Par 64 Can
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Antari Z-3000II 3000W Pro Fog Machine American DJ Megaflash DMX 800W Strobe Elation ELED Tri 64B - 54W Tri Color RGB - Black Par 64 Can
3000 watt fog machine that produces 40,000 cu. ft. per min. of fog. The Mega Flash Pak includes 4 Mega Flash DMX Strobes, a S-4A DMX strobe controller and 4 DMX cables. Intelligent, high powered LED par can featuring RGB additive color mixing.
American DJ Quad Gem LED DMX System - 900 LEDS!!! American DJ Revo LED System American DJ Accu UFO DMX LED Moving Head
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American DJ Quad Gem LED DMX System REVO LED SYSTEM - Led Disco Lighting American DJ Accu UFO DMX LED Moving Head - NightClub Lighting
Mesmerizing white beams of light in a cool, lightweight fixture. Quad array with brackets! This is truly a state of the art light system! Led Disco Lighting OLD SCHOOL MEETS THE FUTURE UFO STYLE!
Elation High Power RGBW LED Strip Chauvet Q-Wash LED36 DMX Moving Yoke Lighting Fixture Elation Design LED 36 Pro - 108 Watt RGB LED Par
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Elation High Power RGBW LED Strip Chauvet Q-Wash LED36 DMX Moving Yoke Lighting Fixture Elation Design LED 36 Pro - 108 Watt RGB LED Par
64 x 1 W LED DMX RGBW LED Strip Amazingly bright 10-channel DMX LED yoke creates a dizzying array of multi-color light movement. LED Die Cast Par  - 36 x 3Watt RGB LED’s
Elation Design LED 108IP Diecast Outdoor IP65 LED RGB Elation PRO FS 575 Followspot American DJ 8 PAR64 LED Package with Free DMX Controller
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Design LED 108IP Diecast Outdoor IP65 LED RGB Elation PRO FS 575 Followspot American DJ P64 LED - LED Stage Lighting
Indoor / outdoor color changer - 36 x 3W K2 LEDs Featuring a removable color boom with 6 colors A complete stage lighting setup! LED Stage Lighting
Elation Design Spot 250 Hybrid Intelligent Spot And Wash In One LED Par Pack - Stage Color LED Par 64 Can Package
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Design Spot 250 LED Par Pack - Stage Color Irradiant Par 64 Short DMX Led Can Package
Spot/wash hybrid with innovative frost feature. Included are 4 par LED cans and 1 free stand. Super Stage LED Lighting Package - 8 Par Cans, 2 Stands, a Controller, and all the cables you need!
LED Par 64 Can Package Chauvet SkyScan 4000 Search Light LED Par Pack - Par 64 RGB DMX
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Irradiant Par 64 Short DMX Led Can Package Chauvet SkyScan 4000 Search Light LED Par Pack - Par 64 RGB DMX
Super Stage LED Lighting Package - 8 Par Cans, 2 Stands, a Controller, and all the cables you need! 4000 Watt Xenon Lamp with Lamp Intensity Included are 4 par 64 LED cans and 1 free stand.
Elation Design Wash LED Pro Antari DNG-200 Low Fog Generator
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Elation Lighting Design Wash LED Pro Antari DNG-200 Low Fog Generator
High output LED color changer equipped with 108 3W Rebel LEDs. An impressive effect for theatrical and studio applications where noise level should be minimized.
   
 
Shop our site for a multitude of incredible deals on our line of par cans, fresnel, moving heads, intelligent lights, intelligent fixtures, and scanners from elation, american DJ, chauvet lighting and more!
 
Modern stage lighting is a flexible tool in the production of theatre, dance, opera and other performance arts. Several different types of stage lighting instruments are used in the pursuit of the various principles or goals of lighting.
 
Functions of lighting
Stage lighting has several functions, although to allow for artistic effect, no hard and fast rules can ever be applied. The functions of lighting include:
  • Illumination: The simple ability to see what is occurring on stage. Any lighting design will be ineffective if the viewers cannot see the characters; unless this is the explicit intent.
  • Revelation of form: Altering the perception of shapes onstage, particularly three-dimensional stage elements.
  • Focus: Directing the audience's attention to an area of the stage or distracting them from another.
  • Mood: Setting the tone of a scene. Harsh red light has a totally different effect than soft lavender light.
  • Location and time of day: Establishing or altering position in time and space. Blues can suggest night time while orange and red can suggest a sunrise or sunset. Use of gobos to project sky scene, moon etc
  • Projection/stage elements: Lighting may be used to project scenery or to act as scenery onstage.
  • Plot: A lighting event may trigger or advance the action onstage.
  • Composition: Lighting may be used to show only the areas of the stage which the designer wants the audience to see, and to "paint a picture".

While Lighting Design is an art form, and thus no one way is the only way, there is a modern movement that simply states that the Lighting Design helps to create the environment in which the action take place while supporting the style of the piece. "Mood" is arguable while the environment is essential.

Qualities of lighting
The four main qualities or properties of lighting are intensity, color, pattern and focus.

Intensity
Measured in lux, lumens and foot-candles. For any given luminaire (lighting instrument or fixture), this depends upon the power of the lamp, the design of the instrument (and its corresponding efficiency), the presence or absence of colour gels or gobos, distance from the area to be lit and the beam or field angle of the fixture, the colour and substance to be lit, and the neuro-optics of the total scene (that is, the relative contrasts to other regions of illumination).

Color
Color temperature is measured in Kelvin, and gel colours are organized by several different systems maintained by the color manufacturing companies. The apparent colour of a light is determined largely by the gel colour given it, but also in part by the power level the lamp is being run at and the colour of material it is to light.[5] As the percentage of full power a lamp is being run at drops, the tungsten filament in the bulb glows orange instead of more nearly white. This is known as amber drift or amber shift. Thus a 1000-watt instrument at 50% will appear far more orange than a 500-watt instrument at full.
 
LED fixtures create colour through additive colour mixing with red, green, and blue LEDs at different intensities. This type of colour mixing is also used frequently with borderlights and cyclorama lights to create different colours on stage and on the cyclorama. Another form of colour mixing is CMY, or subtractive colour mixing. Cyan, magenta and yellow dichroic filters are used in different percentages to create different colours. Because it is often difficult to create true reds and greens, a green dichroic filter is often added to fixtures using this method of colour mixing.
 
Pattern
Pattern refers to the shape, quality and evenness of a lamp's output. The pattern of light an instrument makes is largely determined by three factors. The first are the specifics of the lamp, reflector and lens assembly. Different mounting positions for the lamp (axial, base up, base down), different sizes and shapes of reflector and the nature of the lens (or lenses) being used can all affect the pattern of light. Secondly, the specifics of how the lamp is focused affect its pattern. In ellipsoidal reflector spotlights (ERS) or profile spotlights, there are two beams of light emitted from the lamp. When the cones of both intersect at the throw distance (the distance to the stage), the lamp has a sharply defined 'hard' edge. When the two cones do not intersect at that distance, the edge is fuzzy and 'soft'. Depending on which beam (direct or reflected) is outside the other, the pattern may be 'thin and soft' or 'fat and soft.' Lastly, a gobo or break up pattern may be applied to ERSs and similar instruments. This is typically a thin sheet of metal with a shape cut into it. It is inserted into the instrument near its aperture. Gobos come in many shapes, but often include leaves, waves, stars and similar patterns.
 
Focus, position, and hanging
Focus is a term usually used to describe where an instrument is pointed. The final focus should place the "hot spot" of the beam at the actor's head level when standing at the center of the instrument's assigned "focus area" on the stage. Position refers to the location of an instrument in the theater's fly system or on permanent pipes in front-of-house locations. Hanging is the act of placing the instrument in its assigned position.
 
In addition to these, certain modern instruments are automated, referring to motorized movement of either the entire fixture body or the movement of a mirror placed in front of its outermost lens. These fixtures and the more traditional follow spots add Direction and Motion to the relevant characteristics of light. Automated fixtures fall into either the moving head or moving mirror / scanner category. Scanners have a body which contains the lamp, PCBs, transformer, and effects (color, gobo, iris etc.) devices. A mirror is panned and tilted in the desired position by pan and tilt motors, thereby causing the light beam to move. Moving head fixtures have the effects and lamp assembly inside the head with transformers and other electronics in the base or external ballast. There are advantages and disadvantages to both. Scanners are typically faster and less costly than moving head units but have a narrower range of movement. Moving head fixtures have a much larger range of movement as well as a more natural inertial movement but are typically more expensive.
 
The above characteristics are not always static, and it is frequently the variation in these characteristics that is used in achieving the goals of lighting.
 
Stanley McCandless was perhaps the first to define controllable qualities of light used in theater. In A Method for Lighting the Stage, McCandless discusses color, distribution, intensity and movement as the qualities that can be manipulated by a lighting designer to achieve the desired visual, emotional and thematic look on stage. The McCandless Method, outlined in that book, is widely embraced today. The method involves lighting an object on the stage from three angles- 2 lights at 45 degrees to the left and right, and one at 90 degrees (perpendicular to the front of the object).
 
Lighting instruments
In the context of lighting design, a lighting instrument (also called a luminaire) is a device that produces controlled lighting as part of the effects a lighting designer brings to a show. The term lighting instrument is preferred to light to avoid confusion between light and light sources.
There are a variety of instruments frequently used in the theater. Although they vary in many ways they all have the following four basic components in one form or other:
  • Box/Housing - a metal or plastic container to house the whole instrument and prevent light from spilling in unwanted directions.
  • Light Source (lamp).
  • Lens or opening - the gap in the housing where the light is intended to come out.
  • Reflector - behind or around the light source in such a way as to direct more light towards the lens or opening.
    Additional features will vary depend on the exact type of fixture.
Most theatrical light bulbs (or lamps, the term usually preferred) are Tungsten-Halogen (or Quartz-Halogen), an improvement on the original incandescent design that uses a halogen gas instead of an inert gas to increase lamp life and output. Fluorescent lights are rarely used other than as worklights because, although they are far more efficient, they cannot be dimmed (run at less than full power) without using specialised dimmer ballasts and they will not dim to very low levels. They also do not produce light from a single point or easily concentrated area, and have a warm-up period, during which they emit no light or do so intermittently. High-intensity discharge lamps (or HID lamps), however, are now common where a very bright light output is required, - for example in large follow spots, HMI (Hydrargyrum medium-arc iodide) floods, and modern automated fixtures. When dimming is required, it is done by mechanical dousers or shutters, as these types of lamps also cannot be electrically dimmed.
 
Most instruments are suspended or supported by a "U" shaped yoke, or 'trunion arm' fixed to the sides of the instrument, normally near its center of gravity. On the end of such, a clamp (known as a hook-clamp, C-clamp, or pipe clamp - pipe referring to battens) is normally fixed, made in a "C" configuration with a screw to lock the instrument onto the pipe or batten from which it is typically hung. Once secured, the fixture can be panned and tilted using tension adjustment knobs on the yoke and clamp. An adjustable c-wrench (US) or spanner (UK) is often used to assist the technician in adjusting the fixture.
All lights are loosely classified as either floodlights (wash lights) or spotlights. The distinction has to do with the degree to which one is able to control the shape and quality of the light produced by the instrument, with spotlights being controllable, sometimes to an extremely precise degree, and floodlights being completely uncontrollable. Instruments that fall somewhere in the middle of the spectrum can be classified as either a spot or a flood, depending on the type of instrument and how it is used. In general, spotlights have lenses while floodlights are lensless, although this is not always the case.
 
Traditionally theatre and stage lighting has been of the "generic" type. These are lights which are focussed, geled, and then simply dimmed to give the effect the designer wants. In recent years the emergence of moving lights (or automated lights) has had a substantial impact of theatre and stage lighting.
 
A typical moving light allows the designer to control the position, colour, shape, and strobing of the light beam created. This can be used for exciting effects for the entertainment or dancefloor use. Moving lights are also often used instead of having a large number of "generic" lights. This is because one moving light can do the work of several generics.
 
Please note: In the UK the nomenclature is slightly different from North America. This article primarily uses the North American terminology. Although there is some adoption of the former naming conventions it has been normal to categorise lanterns by their lens type, so that what in the US is known as a spotlight is known as a Profile or a Fresnel/PC (Pebble/Plano/Prism Convex) in the UK. A Spotlight in the UK often refers to a Followspot. The following definitions are from a North American point of view, and would be confusing when used, without further clarification, in the UK. UK naming conventions are considered to be correct in most of the world, in fact most North American theatres will also use the UK terms except when talking in a more general sense (ie get a spotlight to focus on that set piece, or 'flood this area')
 
Also note: In Australia and many other places, the lamps inside a theatrical fixture are referred to as bubbles. In North American English, a bubble refers to the protrusion that occurs when one's body (or other oily substance) contacts the lamp. Oil will cause the portion of the lamp which has oil on it to expand when it is on (lamps generate a lot of heat), creating the bubble, and causing the lamp to explode. That is why one should never directly touch the glass portion of a lamp. Cleaning with rubbing alcohol will remove the oil.
 
Lighting controls
Lighting control tools might best be described as anything that changes the quality of the light. Historically this has been done by the use of intensity control. Technological advancements have made intensity control relatively simple - solid state dimmers are controlled by one or more lighting controllers. Controllers are commonly lighting consoles designed for sophisticated control over very large numbers of dimmers or luminaires, but may be simpler devices which play back stored sequences of lighting states with minimal user interfaces. Consoles are also referred to as lighting desks or light-boards.
 
For larger shows or installations, multiple consoles are often used together and in some cases lighting controllers are combined or coordinated with controllers for sound, automated scenery, pyrotechnics and other effects to provide total automation of the entire show. See show control.
 
The lighting controller is connected to the dimmers (or directly to automated luminaires) using a control cable (e.g. DMX512) or network, allowing the dimmers which are bulky, hot and sometimes noisy, to be positioned away from the stage and audience and allowing automated luminaires to be positioned wherever necessary. In addition to DMX512, newer control connections include RDM (Remote Device Management) which adds management and status feedback capabilities to devices which use it while maintaining compatibility with DMX512; and ACN (Architecture for Control Networks) which is a fully featured multiple controller networking protocol. These allow the possibility of feedback of position, state or fault conditions from units, whilst allowing much more detailed control of them.
 
Dimming
A dimmer is a device used to vary the electrical power delivered to the instrument’s lamp. As power to the lamp decreases, the light fades or dims. It is important to note that some color change also occurs as a lamp is dimmed, allowing for a limited amount of color control through the dimmer. Fades can be either UP or DOWN, that is increasing or decreasing the intensity. Today, most dimmers are solid state, although many mechanical dimmers still exist.

Dimmers are often found in large racks that draw large amounts of three-phase electrical power. The dimmers themselves are often removable modules that range from a 20-amp, 2.4 Kilowatt unit to a 50-amp or even a 100-amp unit. They can often be replaced by a Constant Power Module which is basically a 20- or 50-amp breaker in a dimming module casing. Constant Power Modules are used to supply non-dimming current to other electrical devices (like smoke machines, chain winches, or scenic motors). When a Constant Power Module is installed, the corresponding circuit is energized as long as the dimming pack is on, independent of the lighting console.

Increasingly, with the growth of digital technology, modern lighting instruments are available which allow remote control, not just of intensity, but of direction, color, beam shape, projected image, beam angle and a wealth of other effects. The ability to move an instrument ever more quickly and quietly has become the industry goal. Such automated lights frequently have built-in dimming and so are connected directly to the control cable or network and are independent of external dimmers.

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1620 30th ST NE
Canton, Ohio 44714
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